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The free cut of ESXi was only able to run on limited number of cores, addressed a modest quantity of memory, and lacked many management niceties.

Justin Warren, the principal analyst of consultancy Pivot Nine, told The Register the demise of free vSphere means "Broadcom has pretty clearly signaled that it is no longer interested in smaller VMware customers.

Warren rated the change "another gift to competitors like Nutanix, Scale Computing, Microsoft with Hyper-V/Azure Stack, or Red Hat OpenShift Virtualization (via KubeVirt).

Pre-acquisition VMware proudly touted the 4,000-plus small clouds that ran its stack, and applauded their ability to offer services that hyperscalers could not – especially providing sovereign clouds that lacked the complex legal entanglements that see multinational hyperscalers sometimes beholden to laws of their home jurisdictions.

Meanwhile, the implications of Broadcom’s decision to end perpetual licenses for VMware products continue to be analyzed by users.

One VMware consultant of The Register’s acquaintance told us the change means some workloads now appear to be cheaper to run on bare metal than under vSphere.

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A Japanese man has been sentenced to death for an arson attack at a Kyoto animation studio in 2019 which killed 36 people and injured dozens more.

Shinji Aoba, 45, pleaded guilty to the attack but his lawyers had sought a lighter sentence, arguing grounds of “mental incompetence”.

“I have determined that the defendant was not mentally insane or weak at the time of the crime,” Chief Judge Masuda said on Thursday at Kyoto District Court.

In July 2019, he burst into the studio during a work day, splashing petrol on the ground floor and setting it alight while repeatedly shouting “Drop dead”.

Families of the victims were seen in the court room, with some wiping tears as the judge read out the details of the Aoba’s crime, Japanese broadcaster NHK reported.

The KyoAni studio in Kyoto is a beloved institution, known for producing films and graphic novels that were critically well-regarded by fans - including K-On!

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At certain data volumes and distances, the pigeon is a quicker option for large swaths of rural America, where internet speeds can lag far behind the national average.

Rural-urban and rich-poor divides in internet quality persist because of uneven investment, according to Alex Kelley, head of broadband consulting at the Center on Rural Innovation.

The daily inefficiencies that come with slower internet can add up to lagging economic growth or increased unemployment as reliance on the digital economy grows, Kelley says.

Earlier this year, YouTuber and software developer Jeff Geerling strapped 3 terabytes’ worth of flash drives onto a pigeon.

(He made sure to wrap them in a plastic bag: “If the bird poops, you don’t want to lose your data.”) The pigeon won against his super-fast gigabit fiber internet.

In 2016, Amazon launched AWS Snowmobile, a shipping container that can hold up to 100 petabytes of data — that’s 20 billion iPhone photos.

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The announcement was met with considerable excitement but also backlash as some fans reacted negatively that Quiñones now had the role instead of Wendee Lee, who originally voiced Yoruichi when the series began back in 2004.

Lee, a seasoned voice actress known for her roles across decades of anime, cartoons, and video games, appeared to conflate support for Quiñones, a newer but successful performer, as an attack against her.

“By stepping aside now I open the door of Access and give opportunity to an actor who can represent Yasutora Sado with the same love and pride and imagination but with more life experience than I have.”

Viz’s decision to bring Lee back comes at a time when other production companies have similarly found themselves facing criticism from fans displeased with the addition of Black cast members.

Hobbits Elijah Wood and Sean Astin spoke out against racist attacks on the Black and Brown actors cast in Amazon’s Rings of Power series.

Rick Riordan, author of the Percy Jackson series, defended Black actress Leah Jeffries when she faced racist abuse for her casting as Annabeth Chase in the Disney adaptation.

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Dragon Ball creator Akira Toriyama has shifted to providing general narrative guidance and character designs for many of the franchise’s projects in recent years.

But for Dragon Ball Daima — a new animated series from Toei — the legendary mangaka will be hands-on in a big way.

Today at this year’s New York Comic Con, Toei Animation announced that it is well into production on Dragon Ball Daima, a new series that will see a number of classic Dragon Ball Z characters like Goku, Vegeta, and Bulma transformed into children similar to the way Goku became a child in Dragon Ball GT.

During a panel about the new show, executive producer Akio Iyoku described Toriyama as being “deeply involved beyond his usual capacity” in its production process and teased that he “has planned entirely new episodes for the storyline.”

While Toei hasn’t shared many details about Daima, it did release a new trailer that makes it seem like the show might take a bit of a meta route with a villain aware of Goku’s lengthy history across different Dragon Ball anime and manga.

Plot details or not, the animation featured in the trailer is gorgeous, and Toriyama’s involvement is a sign that Dragon Ball Daima’s story might pack a bit more of a punch than GT’s did when it premieres sometime next fall.

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