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Cake day: June 15th, 2023

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  • I believe the name for those were “dragoons”. I thought about it, but my understanding was they were armed with muskets. Since firing a rifle from horseback usually meant you missed, they would dismount before engaging. I suppose it’s not a stretch to have dragoons that only carried swords, but we also know that they had 5000 troops in that battle and even if they doubled up the riders that’s over 2000 horses. We saw, maybe 2 dozen in the retreat

    Dragoons were a more recent incarnation. I believe there were other earlier ones.

    Basically what went wrong with this scene in Reincarnated Aristocrat, though, is that they went for too much detail in a crowd scene that would have been much better off with less. If you look at older anime from the hand-drawn cell era, they didn’t try to individually animate every member of a large group like an army. Exaggerated atmosperic perspective and depth of field, plus judicious use of detail, reduced the parts of the army away from the main characters to a sort of dark mass with the occasional helmet or horse-leg movement—and that was okay, because we didn’t care enough about those people to focus on them individually. Currently there’s a fad for using computer animation to spam copies of the same model, often poorly animated, to make up the numbers, and it doesn’t work and tends to be very noticeable. Hopefully someone in Japan will eventually figure that out, and they’ll return to the more painterly approach.

    (In this case, of course, they didn’t even spam enough copies, so even worse.)


  • And if they have horses why are they infantry and not cavalry

    Because they’re not trained to fight on the horses, and the horses may not be combat-trained either. Infantry throughout history has often used horses or mules for transport, then gotten off them for the actual fighting.

    To add to the list of criticisms: They knew what route they would be retreating along, so why were there no traps? Even if digging a concealed pit would have taken too long, a few chevaux de frise, tactically placed, could have done some damage. Or give the rearguard some caltrops to toss behind them. Horse archers could have helped a lot, but would probably have been too much to ask for.

    I get the impression that the person responsible for the source material for this series doesn’t have even my passing interest in the nuts and bolts of medieval warfare.


  • Dan Da Dan and JJK are completely different types of shows.

    JJK’s main selling point is the quality of its combat animation. The fight scenes are really well-executed, so it gets high ratings from people who like that kind of thing. Plot and characters are bog-standard shounen fighter types whose names and backstories I forget half the time because they’re not all that memorable. If you swapped everyone but the MC out with characters from, say, Chainsaw Man, I doubt I would even notice.

    Dan Da Dan, on the other hand, is character-driven. The interaction and budding romance between the main characters is the point of the show, and the fighting has so far been subservient to that. It also doesn’t take itself at all seriously, unlike JJK.


  • For an isekai, it’s amazing how many different games we see aside from the titular Shangri-La Frontier.

    Now you have me trying to count.

    • The trash game Sunraku is playing at the very beginning, where he gets to beat on the annoying princess for a few minutes as the end credits roll, after fighting the final boss while wearing a luchador mask and not much else
    • The fighter game where the users had collectively decided that exploiting bugs was the point
    • The realistic-to-the-point-of-not-being-fun fantasy game where he met Pencilgon
    • And now this mecha game.

    .

    Did I forget any?






  • Some series that no one else has mentioned yet:

    Demon Lord, Retry! R: Somehow the artwork and animation is managing to be even worse than that from the 2019 series—guys, at least try to keep the main character’s hair length consistent, okay? Plus, 95% of what’s been shown so far has been a recap of the earlier version. As of the end of the second episode, they are finally caught up. The bizarrely chosen ecchi material, while it doesn’t make up any significant fraction of the runtime, is even more grating in the recap than the original. I found the original series amusing despite its many faults, so I’ll stick with this one for a while, but in general I don’t recommend it.

    The Healer who was Banished from his Party etc.: Bog-standard protagonist-that-no-one-has-noticed-is-overpowered fantasy light novel schlock. Okay for turning your brain off, but otherwise don’t bother.

    Good-bye, Dragon Life: Bog-standard protagonist-hides-his-power fantasy light novel schlock so far. Another one suitable for turning one’s brain off.

    The Most Notorious “Talker” etc.: And for the hat trick, we have protagonist-wants-to-get-stronger fantasy light novel schlock. This one managed to get my attention slightly more than the others by ending the first ep. on a weak cliffhanger. I doubt it’ll come to anything, but we’ll see.

    Trillion Game: Mixed feelings about this one, probably because I empathize a little too much with Gaku. Haru, on the other hand, seems like a slimeball despite attempts to depict him sympathetically. Haven’t watched the second episode yet.

    I’m still waiting on several other series. There seem to be an awful lot of late premieres this season.


  • what, substantially, is even the difference between that and having a billion dollars, other than being top of the wealth leaderboard?

    Well, a billion won’t buy out Apple or another really wealthy corporation. And it can’t cover the entire debt of a large, developed nation-state. A trillion could likely do those things. Other than that, I can’t think of any real difference.




  • The ones that were better than I expected:

    • QA in Another World: I love the fact that they lean into this being a game (as opposed to a gamelike isekai), and that the characters exploit that fact. Other iterations of the “trapped in a game” trope in anime haven’t done that. (Shangri-La Frontier does, but the stakes are a lot lower there.)
    • No Longer Allowed in Another World: Just a nice change from stereotypical isekais and stereotypical isekai heroes.
    • Atri: I had really low expectations of this one going in, but it turned out . . . okay. Not brilliant, but okay.
    • Slime: The last cours was sufficiently bad that this one was an improvement, even if it’s certainly not the best in the series.

    The ones that were worse than I expected:

    • Dahliya: It’s just . . . where’s the conflict? What little does show up gets resolved within an episode or two. There’s pretty much nothing to drive the story here.
    • Tasuuketsu: Started off very strong, but the rest of the season didn’t live up to the first episode. Then again, I don’t know what could have. Not awful, but merely okay.
    • Bye Bye, Earth: Interesting world, but they did a horrible job of showing it to us. A lot of things needed a couple of sentences of explanation that they just didn’t get, and the little labels that kept popping up were worse than useless.

    Best of the season: NieR Automata (although I had sufficiently high expectations of it going in that it didn’t exceed them).

    Hardest to watch: Dead Dead Demons Dededede Destruction. I think I’m seven episodes behind right now, and having a hard time mustering the desire to continue on. Anything that has bigotry as a major theme is a difficult watch for me right now, given what’s been unfolding in the real world lately.

    Most incomprehensible art direction choice: Delico’s Nursery. The backgrounds look like tracings of photographs, or maybe carefully coloured-in photocopies of photographs, and the effect in combination with the characters is just . . . strange. Maybe it’s a carryover from the manga, which I’ve never read?

    Best dragon award: I Parry Everything, but mostly by default, because I don’t remember any other dragons of significance (even bad CGI ones, which would be ineligible).




  • Record of the Lodoss War (a D&D campaign turned into anime, if I recall rightly)

    Mixed-age cast—the main characters are adults in the context of their society, but not all are necessarily 20+ years of age. Also be aware that there are two different versions of this, an OAV and a later TV series. There are significant differences in story between the two (the TV series adapts more of the original material, the OAV ends differently). I prefer the OAV, but it’s mostly a matter of taste.

    .hack//sign (dot hack sign) is a pretty interesting one. It has several other series in its ‘canon’ if you like it. I’d say it was the adult oriented, well-presented premise of sword art online before sword art online was wet-dreamed up. A friend described it as ‘waving its dick around because they had an actual orchestra for the soundtrack’ in several scenes.

    The last time I watched it (admittedly about ten years ago now), I found that it hadn’t aged all that well. The loose ends left because it was a prequel to some of the games in the .hack franchise were very noticeable. (It’s still a better version of the “trapped in a game” trope than SAO, though, because it doesn’t repeatedly reduce the female lead to a damsel in distress). And not all the main characters were adult, although some clearly were. The soundtrack is still excellent if you like Yuki Kajiura’s style, though.





  • A skim of the article shows that it was not written from the viewpoint of a parent having to calm a hysterical crying child after having watched the movie. GotF is an emotional gut-punch even for adults. Incredibly powerful film, but that means it has to be treated with care and respect. That doesn’t mean it can’t be shown to children, but anyone who does so needs to be prepared for the consequences.

    (As for me, I was in grad school when I saw it. I’m glad I did, but I don’t think I will ever be able to bring myself to watch it again.)