I was going through that list of production credits myself. A lot of “2nd key animation” and “in-between animation” with only a couple of titles where they were the lead production company.
It feels like U-Next only wanted some animation horsepower.
Maybe they want to go into content creation for their own streaming platform?
This is a good point. Their original works are notoriously difficult to look at, but they have a lot of credits helping to make other stuff that turned out perfectly fine. Maybe they just wanted more hands for projects GoHands wouldn’t be heading up.
Big “I can fix him” energy here.
For real though, imagine looking at GoHands’ output and deciding that these are the geniuses you want working under you.
I was going through that list of production credits myself. A lot of “2nd key animation” and “in-between animation” with only a couple of titles where they were the lead production company.
It feels like U-Next only wanted some animation horsepower.
Maybe they want to go into content creation for their own streaming platform?
This is a good point. Their original works are notoriously difficult to look at, but they have a lot of credits helping to make other stuff that turned out perfectly fine. Maybe they just wanted more hands for projects GoHands wouldn’t be heading up.