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Big “I can fix him” energy here.
For real though, imagine looking at GoHands’ output and deciding that these are the geniuses you want working under you.
I was going through that list of production credits myself. A lot of “2nd key animation” and “in-between animation” with only a couple of titles where they were the lead production company.
It feels like U-Next only wanted some animation horsepower.
Maybe they want to go into content creation for their own streaming platform?
This is a good point. Their original works are notoriously difficult to look at, but they have a lot of credits helping to make other stuff that turned out perfectly fine. Maybe they just wanted more hands for projects GoHands wouldn’t be heading up.
